Publishing Advice from Beth Revis


If you’re traditionally publishing, then put a cliffhanger at the end of page fifty, or the end of the third chapter. That’s usually the amount of pages an agent will request to sample a book—so if you put a cliffhanger there, you’re setting up the agent to want to read more.

This works for self publishing too. Most readers will give the book about three chapters before they put it down. So put a twist in there so that the reader can’t put the book down!

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Launch the right career for you.

There are more options than ever to get your book published. But what’s the right path to a career as an author for you? Discover the different publishing paths, learn what’s right for your story, and use specific tools and activities to present your work in the best possible way.

Practical Advice Meets Real Experience

With information that explores both traditional and self publication, Paper Hearts describes:

-How to Pick the Right Publishing Path for You
-Basic Professional Advice
-Practical Information on Agents
-How to Write a Query Letter
-Dealing with Traditional Publication
-Developing a Book for Self Publishing
-Budgeting and Investing Money in Your Career
-Steps to becoming a Career Author
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BONUS! Includes an actual query letter that snagged an agent, plus guidelines and models to write a query or book description from an author who has successfully published in both methods.



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My Review:

I spent several years as a teaching assistant for a publishing industry class at my university. I wish this book had been out then, because I would have made it the class textbook. This book is perfect for demystifying the process of publishing.

Publishing is by no means a one-size-fits-all industry. This book is all about helping writers make smart choices for their book. I’m a firm believer that it’s best to know all your options when you publish a novel. This book informs you to what all those possible publishing routes are.

A perfect read for anybody who’s written a novel and is left asking “Now what?”

Being a Diversity Ally

I think most writers want to support the We Need Diverse Books movement. But if you’re a white, cis heterosexual, able-bodied, etc. you may be asking just what you can do.

This post is intended to address what you can do to support diversity if you don’t belong to an underrepresented group. I don’t consider myself any sort of expert on this. But I have been trying very hard to be a better ally to diversity. Here is a simple list of things I’ve found that I think help.

  • Read This, to me, will always be first and foremost. If you want to support diversity, you have to read books by diverse authors. This is extra true if you ever plan to write a book by a character outside your culture. Do you think you could write a good MG book if you don’t read (extensively, I might add) MG? Do you think you could write a strong fantasy if you only read contemporary? No. You’d probably write the most clichéd book ever. If you try doing this when writing outside your culture, you’re likely to write sterotyped characters. Diversity doesn’t just apply to characters in books; it applies to their authors as well. We want to give voice to writers from underrepresented backgrounds. For that reason I’ll say this: READING OWN VOICES BOOKS SUPPORTS DIVERSITY MORE THAN WRITING MARGINALIZED CHARACTERS.
  • Listen There are people out there who are willing to share their experiences. Don’t be afraid to ask respectful questions. Hear what people have to say about their culture, and about the prejudices they face.
  • Realize that one person does not represent the whole group While the last point is certainly true, be aware that one person cannot represent the entirety of their culture. Nor should they have that burden placed upon them. In her book El Deafo, CeCe Bell discusses her experience with hearing loss. She adds a wonderful note in the end that points out that everyone’s experience with hearing loss is different. Some get cochlear implants, others don’t. Some use sign language, others don’t. Some people are born deaf, others become deaf during their lifetime. You get the point. Not all members of the Deaf community are the same. Be sensitive to the sub cultures within any group.
  • Resist the urge to feel attacked No, there’s nothing wrong with being white, heterosexual, able-bodied, whatever. Being a diversity ally isn’t about tearing these people down. So don’t get defensive. There’s no reason to.
  • Own up to your mistakes Yes, there’s a reasonable chance that at some point in time you will say or do something offensive. You will probably make a mistake. It happens. When it does, you then have the choice to defend your mistake or to apologize and learn from the expereince. I think you can figure out which is preferable. It’s been my experience that people are pretty understanding as long as they recognize that you are making a strong and sincere effort to understand and respect them. Learn from your mistakes. Say sorry. Chances are very high that you’ll be forgiven.
  • Don’t write a marginalized character just to make your book more marketable Nope, nope, nope. Trust me. You’re not doing any favors to whatever community you’re trying to represent by doing this. If you really feel that your character belongs to a culture other than your own, then you don’t need to shy away from writing them that way. What you want to avoid is making the arbitrary decision to just change the color of their skin (or whatever other feature) because you think it will make your book sell better.
  • Be nice Really, this is just publishing basics. Always be nice to everyone. It applies here too, though. If you are nice and make a sincere effort to understand people outside your culture, people will generally appreciate your efforts.

What tips do you have? Please leave them in the comments. Discussion matters!

Killer First Lines

First lines can be incredibly important in convincing somebody to read your book. Naturally, you want to create a first line that instantly grabs the reader.

It’s hard to give good advice about first lines, because there are a lot of good ways to write a first line. Here are the two best pieces of advice I can think of though.

  1. Try to think of something that might seem out of the ordinary or unexpected to your reader, even if it’s totally normal, day-in-the-life of your main character. Think of your inciting incident. This will help you come up with something attention grabbing.
  2. Pay attention to voice. The opening lines set the tone for your entire book. More than any other line in the book, you want the first line to fit the voice of your book.

One final thing. Don’t get hung up on the first line. Yes it’s important. Yes you want to get it just right. But I can’t tell you how much time I’ve spent staring at a blank page because I didn’t want to start writing unless I could start with a perfect opening.

Don’t do this to yourself. First lines need to go through drafts, just like the rest of your novel. I think I cycled through about twenty different opening lines on my last story.

Even if you come up with a catchy opening line your first try, it may not fit your book once the rest is written.

So yes, first lines are incredibly important. You want yours to be the best it possibly can. But you also just need to start writing. Don’t let your quest for the perfect first line keep you from starting the book.