Dear Ms. Nelson,
Seventeen-year-old Isa Rousseau isn’t in love with her cousin Coral. She’s in love with Coral’s life. For some reason, this hook was a little confusing to me. I like the idea of it, but think it might be better if it were a little more specific.
While Isa barely breathes, suffocated by her dinky hometown, and that “textbook” overbearing Asian mom, Coral inhales life, traveling to exotic places; living the free spirited existence that Isa yearns for—that is, until Coral and her parents vanish while sailing on the Pacific Ocean. It’s interesting to me that you say the way you say she’s a “textbook” overbearing mom. It’s like you’re using a trope, but you’re aware of it. I’m not quite sure how I feel about that.
Consumed by Coral’s death, Isa spends most of the year trying to cope; leaning on Brett, her gay best friend, instead of the girlfriends her mom encourages her to have. Because for Isa, having girlfriends holds a different meaning, one she’s certain her mom won’t ever accept. I think this is a really important idea, and I’d like to see it brought up sooner. This paragraph has a lot more conflict than the last paragraph, I think. So I’d like to see some of this conflict woven in more early on.
Then, one phone call changes everything. Miraculously, Coral is alive. In just a few days, Isa will have her back. But the Coral that arrives is broken, a shell of the girl she used to be—a stranger.
As Isa attempts to save Coral, all the while fumbling through her journey of sexual awakening, Coral’s story of survival on the deserted island will unfold; ultimately revealing that survival isn’t always just about life and death, but that sometimes surviving the demons inside can be the greatest challenge of all.
SAVAGES is complete at 85,000 words. Written in dual points of view, this YA contemporary novel will appeal to readers of I’ll Give You the Sun, The Miseducation of Cameron Post, and Island of the Blue Dolphins. I graduated with a Bachelor’s degree in screenwriting from Boston University, and worked in children’s educational publishing in New York City for ten years.
A few lines about why I chose said agent.